Celebrating Jane Austen’s Birthday

Renowned for her wit, humour, realism and sparkling dialogue, Jane Austen is hailed as one of England’s greatest writers. To celebrate her birthday (16 December 1775), we asked three of our Regency romance authors to tell us what her work means to them and how it has influenced their own writing.

Elizabeth Bailey, author of the Brides By Chance series

When I first read Pride and Prejudice, I was already educated to a degree on the period by an addiction to the works of Georgette Heyer. It was a revelation reading a novel contemporary to the era. The style was different, uncluttered by period description, Austen assuming that knowledge in her readers not necessarily available to the 20^th century eye. Yet the detailed descriptions of the lives she depicts gave me a rich understanding of the thinking and mores of the day, and her dry humour and insights into humanity’s foibles made me realise that people don’t change very much. The same emotional dilemmas beset the human heart, regardless of the time in which they may be living. The trappings may be different, the moral values tighter or looser, but essentially the human condition remains constant. An invaluable lesson for a writer.

Order IN HONOUR BOUND here.

Or find out more about the Brides By Chance series here.

Valerie Holmes, author of The Yorkshire Saga

My work was strongly influenced by Jane Austen’s novels, which are as refreshing today as they were when she wrote them.  Social realism and romantic comedy blend subtly to provide moral lessons on life as she saw it: she could have coined the phrase ‘show, don’t tell’.

In 1775, Jane, a lively rector’s daughter was born into a world that restricted women by gender, social strata, the control of male relatives and wealth or a lack of it. Jane described Regency, but did not glorify fashionable finery, wealth, social meetings or snobbery — deliberate or unintentional.

Whether master or servant she wanted people to be unselfish, just and to be aware of the dangers of making quick and personal judgements.

Jane revealed the failings of would-be lovers, but also their ability to change. The resulting memorable novels have happy, hopeful endings.

Order TO LOVE, HONOUR AND OBEY here.

Or find out more about The Yorkshire Saga here.

Natalie Kleinman, author of The Reluctant Bride (forthcoming)

I couldn’t honestly tell you when Jane Austen first came into my life but, when she did, she came to stay. As with any society, there is good and there is bad, the haves and the have nots, but as a reader and a lover of romantic fiction I want to be whisked away to a time and place where I can remove myself from the mundane to a world of fashion, excitement and yes, romance, and that’s what her books do for me. Not that Miss Austen is universally kind to her cast of characters, but isn’t that what makes them seem so real? She has a talent that makes them leap from the page.

The films and TV productions that depict her work have only added to my enjoyment with their amazing sets and beautiful costumes. So on this day, her birthday, I would like to thank her for the abundance of pleasure she has given me over so many years.

Natalie’s Regency romances are forthcoming in 2020 and will feature spirited heroines, determined to succeed against the odds.

 

Featured image credit: Photo by Elaine Howlin on Unsplash.

This Christmas, we’ve put together an anthology of festive crime fiction that is sure to give you the chills! Here’s a taste of what to expect from MIDWINTER MYSTERIES…

In Graham Brack’s AWAY IN A MANGER, a decidedly non-festive Lieutenant Josef Slonský investigates a string of thefts amid Prague’s bustling Christmas market.

At a Christmas Eve gathering, Charles Dickens weaves a gory, atmospheric ghost story that becomes a little too real in J C Briggs’ FOOTPRINTS IN THE SNOW.

Keith Moray’s LOST AND FOUND follows the residents of West Uist as they merrily prepare for their New Year’s Eve traditions – until one of them is found dead…

While trying to provide for his family, young Alfie finds himself investigating the disappearance of gold bars from a bullion store – which have vanished along with his beloved dog, Mutsy – in Cora Harrison’s THE SPIRIT OF CHRISTMAS.

In Seán Gibbons’ THE STOLEN SANTA SACK, unlucky driver Ben Miller is stuck with a dead Santa Claus and a sackful of cash in the back of his cab…

While hurrying to develop her clients’ portraits in time for Christmas, photographer Julia McAllister is landed with a drunken newlywed and a photograph of a ghost in Marilyn Todd’s WILL POWER.

Gaynor Torrance’s CHRISTMAS SPIRITS follows headstrong Detective Inspector Jemima Huxley as she finds herself caught up in an armed robbery while doing her Christmas shopping.

In David Field’s THE ESSEX NATIVITY, Detective Sergeant Jack Enright discovers a destitute couple expecting their first child in the shelter of a barn.

When one of her clients is stalked by a mysterious figure, Private Investigator Eden Grey attempts to uncover the unwelcome follower in Kim Fleet’s SECRET SANTA.

Major Thankful and Thomazine Russell investigate the theft of a scandalous manuscript written by the king in M J Logue’s STIR UP SUNDAY.

In Linda Stratmann’s THE CHRISTMAS GHOST, wilful sleuth Mina Scarletti attempts to bring peace to a woman haunted by the spirit of her dead son.

 

Click here to order MIDWINTER MYSTERIES!

Hi Keith. Welcome to the Sapere Books blog!

Can you tell us a little bit about what first inspired you to write the Torquil McKinnon Investigations?

Well, I have been a crime fiction reader most of my life and always wanted to be a crime writer. I began writing children’s stories for The People’s Friend when I was a medical student at the University of Dundee. Then when I qualified, I wrote for the Kingston-upon-Hull’s dial-a-bedtime story service, until I had to give it up and focus on my medical practice. One of my forebears was a piper, and I thought that if I ever did write a crime novel it would have a piper in it. The germ of an idea was there.

A few years later I started having bagpipe lessons from a good friend and golf partner, who happened to be a retired pipe major. So, actually playing the pipes seemed to germinate the idea. Then we went on a family holiday to Tobermory in Mull and the whole thing seemed to unfold before me. A remote Outer Hebridean island with a primitive golf course and the smallest police force in the country, the Hebridean Constabulary. The ingredients were there, it just took a visit to a Highland Gathering on the mainland and I started to plot The Gathering Murders.  The characters grew on me and the series just developed.

What was your reason for creating the fictional island of West Uist instead of choosing a real Scottish location?

I suppose I just fell into it. I had written several westerns long before I ever went to the USA, so I just started writing, amalgamating my own memories into my own wee island in much the same way that I had created towns and counties in the Southwest of America. I wanted West Uist to be Scotland in miniature. This is why the terrain varies, there is a great variety of surnames (far greater than in the Outer Hebrides) and I have introduced a different theme with each novel.

What are your typical writing habits? Do you work on a set schedule each day? Do you plan thoroughly before you begin writing?

I am an opportunistic writer, so I write when I have done all of my essential chores for the day, such as looking after my small practice. I am also a medical journalist and have a written a weekly column in the local newspaper for 38 years, so I can identify with Calum Steele, the editor of the West Uist Chronicle. Because I used to write short children’s stories and now write a newspaper column, I tend to write in short segments. It has become part of my writing psyche. This suits my opportunistic method of working.

I carry a notebook everywhere and am forever jotting snippets down, to be incorporated later. I plot late at night in longhand. When I am actually writing then it will be on the computer, and that can be literally any part of the day.

I do plan it out and have never felt brave enough to just type and see where the story goes. I have  a method of writing a novel that seems to work for me. A crime novel has so many elements to it: main plot, subplots, clues and red herrings. I work out each chapter and have a fair idea of what has to happen in each one.

What part of the writing process do you find most difficult?

Plotting is never easy. I go around asking myself ‘what if?’ That’s why I need my notebook handy. I would say it is 80 per cent of the work in writing the novel.

When I am working on the plot, I often play the pipes like Torquil (except he is a virtuoso and I am so abysmal that I am forbidden from playing if there is anyone else in the house). And I also putt golf balls across the landing into my study or chip balls onto the settee. Strangely enough, it facilitates ideas.

In terms of the visceral structure of the novel when I actually write, the middle part is the hardest for me. The first part is scene setting, putting people in the right places and ensuring that the crime happens early on. The middle part is about planting the clues, the red herrings and keeping the subplots going without letting them take over. The end part I already know what should happen, so the middle is about ensuring that you have put everything in place so that you can build it up for the final denouement.

Do you always know ‘who done it’ before you start drafting each novel?

Yes, in virtually all of my books I know who, where, when and how. But, I have to admit that I have on one occasion changed my mind while well into the story. It seemed to work, but I’m saying no more!

The sixth book in the series is due out soon – will that be the end for Torquil, or do you have ideas for more mysteries?

Gosh, I am honestly not sure. I would like to think there will be more, but I am working on other projects at the moment, which I am excited about. Torquil may not have finished with me yet.

And finally – tell us something surprising about yourself!

One of my hobbies is conjuring and I am a paid up member of the International Brotherhood of Magicians.

 

Click here for more information on Keith Moray’s Torquil McKinnon Investigations series.

 THE DEADLY STILL, book five in the series, is available to preorder now.

GET THE DEADLY STILL HERE!

David Field is the author of The Tudor Saga Series. The Queen In Waiting is the fifth book in the series.

There were many victims during that turbulent period in English history that we call the Tudor era, and not all of them were obvious. ‘Popular’ history has a habit of creating fixed mental images of those who lived their lives in the maelstrom of Tudor Court politics, and it’s only when you examine the actual facts that the doubts begin to creep in. A  prime example of a Tudor ‘identity’ whose place in the ‘fake news’ of the period has set her character in concrete is Mary Tudor, the only child of Henry VIII and his first – and longest lasting – Queen, Katherine of Aragon. Mention Mary and the word ‘Bloody’ appears like magic before her name, conjured up by usage and with little regard to the circumstances that led her to burn Protestants at the stake.

Mary was born in February 1516, the only surviving child from her mother Katherine’s long and miserable litany of stillbirths and miscarriages. Katherine may well have suffered from gynaecological problems that Mary inherited, because Mary is recorded as having endured menstrual disorders as a young woman. These were no doubt the early warnings of the phantom pregnancies and uterine blockages that would deny her issue of her own, and lead ultimately to her death.

But in her very early years we are given a picture of a rosy-cheeked, chuckling little infant with her father’s distinctive red hair being bounced gleefully on Henry’s knee as he resolutely hid from the world his inner torment that Mary was not a boy. His obsession with begetting a male heir, more perhaps than any natural lust for Anne Boleyn, led to Katherine’s eclipse, and as she entered puberty Mary was forced to watch from very distant sidelines as her beloved mother suffered the public humiliation of the annulment of her marriage to Henry, and her replacement on the throne by ‘the night crow’ Anne Boleyn. Anne completed the insult by giving birth, in almost indecent haste, to Mary’s half-sister Elizabeth.

Humiliation was piled on humiliation as Mary was declared a bastard, and her place in the succession was taken by Elizabeth. The newly demoted ‘Lady Mary’ was stripped of her own former household and sent to live with Elizabeth in Hatfield House, Hertfordshire, denied access to her mother Katherine, who pined her way to a heartbroken death in a remote castle in Cambridgeshire. Mary was reported to have been ‘inconsolable’ at her mother’s death, and suffered from unspecified illnesses for several years during which she was estranged from her father.

The execution of Anne Boleyn and the bastardisation of Elizabeth would have been of little comfort to Mary once Henry’s new wife Jane Seymour gave birth to the heir apparent Edward, who, under the baleful influence of the Seymours who governed the nation as part of his Regency Council, proved to be far more aggressively Protestant than his late father, while Mary was equally determined to both pursue and promote the Catholic religion of her late mother. The two never saw eye to eye, and during a disastrous attempt at reconciliation during the Christmas of 1550, the thirty-four year old Mary was reduced to tears when rebuked by her thirteen year old half-brother, in front of the entire Court, for her fervent adherence to her faith.

The death of Edward was probably the greatest catalyst for Mary’s subsequent actions. It was learned that in his fear that England would slide back into Catholicism should Mary become Queen, Edward had bequeathed the throne to their distant cousin Jane Grey, from an obscure Leicestershire offshoot of the wider Tudor family. Not only that, but the Council of State initially supported Jane, and Mary was obliged to claim her throne by superior force of arms.

She was now 37, beyond the customary ‘sell by’ date of Tudor women, unmarried, childless, and suffering from gynaecological issues. She was probably both flattered and relieved to receive an offer of marriage from her second cousin Philip of Spain. There seems to be little doubt that for him it was a marriage of greed, furthering his ambition to rule most of Europe, but for Mary it seems to have been a love match. Then history repeated itself through a phantom pregnancy and a terrible slow decline with what may well have been ovarian cancer. One can only feel desperately sorry for the lonely old woman on her death bed when one reads that, on learning of Mary’s demise, Philip wrote to his sister that “I felt a reasonable regret for her death.”

Is it surprising that Mary Tudor was hardly a bundle of laughs during her lifetime? Her mother was publicly humiliated, she herself was bastardised by her loving father, her half brother ridiculed her faith, her Council of State preferred a country girl over her as Queen, and her younger sister was prettier, more socially accomplished, and more loved by the people, while her husband regarded sexual relations between them as some sort of public duty. Add to that her almost permanent ill-health, and it is difficult not to reach behind the public persona she left behind in order to give her a consoling cuddle.

In the latest novel in my Tudor series, The Queen in Waiting, I chose to depict the reign of Mary through the eyes of Elizabeth, another victim of their times. I could only describe the events of Elizabeth’s life through the actions of Mary, and they were harsh when considered without regard to the events that forged them. Sinned against or sinning? Your choice.

 

Order THE QUEEN IN WAITING here.

Or find out more about The Tudor Saga Series here.

 

Image credit: Portrait of Mary I of England and Ireland by Hans Eworth. (Public domain).

Simon Michael is the author of the Charles Holborne Legal Thrillers, set in the 1960s. The Waxwork Corpse is Book Five in the series.

Like all the books in the series, The Waxwork Corpse is based on real events and real cases but this one you may remember, because it made the headlines.

In 1984 a man was arrested in connection with the death of his wife, a body having been found in Wastwater, the deepest lake in England, almost a decade after she went missing, supposedly with her lover.

I learned of the case while waiting in a barristers’ robing room for a jury to return with a verdict. How the killer had dropped the body tied to a kerbstone, in the middle of the night, from an inflatable dinghy into the dark waters of Wastwater. How it had, in a one in a million mischance, landed on the ledge of an underwater pinnacle named Tiffin’s Rock. How, in another extraordinary twist of fate, the ledge was at the perfect depth for the water temperature to preserve the body (the tissues had become “adipose”, wax-like, and so remained recognisable so many years later). And how, extraordinarily, the police happened to be looking for a missing young woman in the same area shortly after an amateur diver first saw the body underwater.

It would, I knew, make a wonderful story, and some years later, following the killer’s conviction for manslaughter and his discharge from prison, I got in touch with his solicitors. Did they think the man would allow me to interview him with a view to writing the story, I asked? They replied in the affirmative and, to my complete astonishment, sent me the case papers, witness statements, photographs, pathology and scientific reports — the complete file.

By then the man was out of prison, running a small B&B in a remote part of England. I got in touch and asked if I could come to interview him, and he agreed. Perhaps rather thoughtlessly in retrospect, I decided that the trip offered the perfect opportunity to take my wife and new-born daughter for a short break away from London.

The plan was to drive from London on Friday afternoon and spend the weekend at the B&B. My wife could walk on the beach while I conducted the interview. However, what nobody predicted, including The Met Office, was that one of the worst storms of the century was due to strike Britain that day.

By dusk, tall vehicles on the motorway in front of us were blowing over. Power lines were brought down by uprooted trees, huge swathes of the countryside were plunged into complete darkness as the electricity supply failed and torrential rain was hurled from the skies. Traffic was guided off the motorway and down narrow country lanes, at one point even being directed over waterlogged fields.

We finally arrived at our destination, a small seaside town, several hours late and in pitch darkness. It was still pouring, the fierce winds howling through the deserted streets and whipping the rain almost horizontal. There was no electricity; even the traffic lights were out.

Eventually, we found the address. We climbed out of the car and, immediately drenched, stepped over dislodged branches and other detritus and ran up the path to the front door. We were exhausted and irritable, with a baby who’d been inconsolable for hours.

I knocked on what we hoped was our host’s front door. At first there was no answer, but then a flickering light swayed down the hallway towards the door. A huge shadow darkened the glass, and the door was opened by an extremely tall man holding a storm lantern.

It was a scene straight out of a horror movie. He offered us hot drinks but my wife, completely spooked by then, insisted we went straight to bed. We climbed the narrow stairs, tired and famished, and entered our dark bedroom. My wife barred the door with a chair.

The next day, the weather was improved and the power restored. I asked my questions about the case and the evidence and the killer’s motivation, while my wife took the baby for a walk on the beach. The interview went well, and it was agreed that I could use the story as long as the man’s identity was obscured to protect his children.

Halfway through I realised that the man sitting opposite me was admitting, completely calmly, that he killed his wife in a fit of uncontrolled anger.

That afternoon I reported some of what I was told to my wife. As I repeated the story and saw the growing horror on her face, it dawned on me that staying for the weekend in an isolated B&B with a man possessing such an uncontrolled temper that he could kill his wife with his bare hands, no longer seemed like such a good idea.

We left that afternoon.

If you want to find out what the killer’s real motivation was, and whether or not he was actually guilty of murder, you’ll have to read The Waxwork Corpse!

 

Order THE WAXWORK CORPSE here.

Or find out more about the Charles Holborne series here.

Graham Brack is the author of the JOSEF SLONSKÝ INVESTIGATIONS series.

When I started writing the book that became Lying and Dying, I didn’t have a detective in mind. There would have to be one, of course, and because I wanted it to be realistic he would have to be part of a team, but the character of Slonský was not central to my thinking.

I can remember precisely when he appeared. My brother and I were at the National Theatre; during the interval I described the story, and together we arrived at the notion that a senior Czech detective must have worked under Communism and would therefore probably have some skeletons in his closet. Moreover, everyone he knew would have similar problems, so it would be understandable if he had little or no respect for anyone of his own vintage.

The world-weary detective is a lazy trope, so I made Slonský enthusiastic about his work. He loves his job. He believes it matters, and he has no patience with corrupt colleagues. And then it came to me that the biography I had proposed for him, in which he spent around half his career under Communism, and half after it, meant he must be coming up to retirement. That provided a rich vein of character analysis, because he dreads retirement; there is nothing else in his life, so he wants to go on as long as he can, and the fact that his bosses know that gives them the only hold they have over him.

Thus, Captain Lukas is able to get him to take a trainee officer, Jan Navrátil. Slonský has had partners before, but they quickly apply for transfers. Navrátil can’t do that. He is a fast-tracked police academy officer with a law degree, fierce intelligence, a strict moral code and an open and trusting nature. Slonský comes to realise that Navrátil is incorruptible and probably always will be, and that when he is gone Navrátil has the potential to reach the very top of the tree – provided he listens to Slonský’s sage advice. Shaping Navrátil’s police career will give Slonský the nearest thing he can have to a legacy. Later they are joined by a woman officer, Kristýna Peiperová, who doesn’t have a law degree but balances that by knowing much more about how the world works. Slonský enjoys training her too, and he honestly does not know which of them will get the top job first, but he doesn’t care. Male or female doesn’t matter; all he wants is someone who can bring about the clean, efficient police force he wanted to join.

I sat down to write one Saturday morning, and after a page or so the police car pulled up and Slonský climbed out. Battered, inelegant, disinclined to waste any effort, cunning, cynical and sharp-tongued, he appeared in my mind’s eye and somehow took over. A story in which he was a necessary figure but not the star was seized and made into a section of his biography. Whenever he walked into a scene, it livened up, and I found if I just listened to him he told me so much about himself.

He doesn’t eat well, but he eats a lot. He is a typical Czech, he believes, devoted to beer and sausages. He lives in a dingy one-room flat, so he spends most evenings in bars. He was married, but his wife left him, and he took it for granted that they were divorced, which proved not to be the case. He believes that nobody can work on an empty stomach, that you should never miss a chance to eat or pee (because you don’t know when the next one will come) and that not everything about the old days was bad.

His name was derived from the Czech word slon, meaning elephant. It seemed appropriate, given his size and his memory, and it was gratifyingly similar to the Czech surname Slánský.

After Lying and Dying was published, a woman wrote to me to say that Slonský was appallingly non-PC in his language but his instincts were good; he was meticulously fair, and therefore free from prejudices such as sexism and racism; and, she said, while she wouldn’t invite him to dinner, if she were ever murdered she would want him to be investigating her death. I think he would allow himself a smile if he heard that.

Click here to order LYING AND DYING now!

We have a range of hair-raising titles to help you get your fear fix this Halloween! Read on to find out more about some of our spookiest stories…

Werewolf, Matthew Pritchard

Werewolf is an atmospheric urban thriller set in post-WWII Germany. While running a police training school as part of the government’s denazification policy, Scotland Yard’s Detective Silas Payne is pulled into a grisly mystery. Two corpses are found in a requisitioned house, and another man is soon killed – this time a British soldier. Everyone blames the ‘werewolves’, a dangerous Nazi resistance force. But Silas believes that a new, depraved serial killer might be at large…

Heart of the Demon, Michael Fowler

When Yorkshire is terrorized by a deranged murderer, Detective Sergeant Hunter Kerr steps in to unravel the gruesome plot. A fourteen year-old-girl has been brutally slaughtered, and a bloody playing card has been left beside her body. As his investigation proceeds, Kerr makes another shocking discovery: the mummified remains of a teenage girl, seemingly killed in the same ritualistic fashion. Since the murders were committed more than a decade apart, it seems that the killer is biding their time. And it’s up to Kerr to untangle their deadly game before they strike again…

Mr Scarletti’s Ghost, Linda Stratmann

In Victorian Brighton, those desperate to communicate with their lost loved ones are rushing to psychics and mediums. But local author Mina Scarletti is sceptical, believing psychics to be unscrupulous fortune hunters. However, at her mother’s insistence, she takes part in a séance in an attempt to reach her recently deceased father. Still doubtful, Mina decides to investigate the spiritualist – the revered Miss Eustace. But will Mina be able to expose her as a fraudster? Or will Mr Scarletti’s ghost return from the grave…?

Past Imperfect, John Matthews

In 1963, a boy is abducted and killed in the French countryside. A man is convicted of the murder, but young policeman, Dominic Fornier, is convinced that they have caught the wrong person. In London 30 years later, a boy loses his parents in a car accident and is left in a coma. And when he wakes, he is haunted by strange dreams of a past that isn’t his. When Fornier hears of a possible link between the two boys, he plunges into a desperate race against time to catch a vicious killer and right the wrongs of the past…

On Thursday evening, we attended the Crime Writers’ Association Dagger Awards at the Leonardo Royal Hotel London City – a starry celebration of the best crime writing of the year in the UK.

We are the proud sponsors of the Sapere Books Historical Dagger Award, which recognises the best historical crime novel of the year. From a shortlist of six, the fabulous Destroying Angel by S. G. MacLean was chosen as the winner!

Set in 1655, Destroying Angel is the third novel in MacLean’s popular and critically acclaimed Seeker series. The first book in the series, Seeker, won the Historical Dagger in 2015, so this is a second win for MacLean’s excellent series.

This third book follows Captain Damian Seeker, a trusted member of Oliver Cromwell’s guard, as he travels to the Yorkshire village of Faithly to enforce the government’s anti-Royalist laws. Upon arrival, Damian is invited to dinner at the home of Faithly’s Puritan commissioner, Matthew Pullan – a tension-filled gathering that ends with Pullan’s young ward, Gwendolen, being fatally poisoned.

With suspicion and bitterness rife in the village, Damian must discover whether Gwendolen’s death was an accident or something more sinister. Atmospheric and full of compellingly unsavoury characters, Destroying Angel’s meticulous historical details and intricate narrative keep the reader absorbed throughout.

We would like to congratulate S. G. MacLean on her well-deserved win and applaud all of the shortlistees for their wonderful work!

You can order all the books in S G MacLean’s Seeker series here.

We would also like to say a massive thank you to CWA Chair Linda Stratmann, Vice Chair Jean Briggs and everyone else on the CWA committee who put in some much hard work organising the event! We are very happy to be building an ongoing relationship with the Association and we can’t wait for next year.

We are the proud publishers of both CWA Chair Linda Stratmann and Vice Chair Jean Briggs’ novels.

Click here to find out more about Linda Stratmann’s Mina Scarletti series.

Click here to find out more about Jean Briggs Charles Dickens Investigations series.

Kim Fleet is the author of the Eden Grey Mystery Series, coming soon from Sapere Books.

Hi Kim! Welcome to the Sapere Books Blog!

What first got you into writing?

I started writing when I was 9. My dad gave me a book called Write Your Own Novel. It was the first time I’d make the connection that the books I loved reading were written by real people, and I thought I’d like to have a go. Dad also gave me a hardback notebook with beautiful marbled endpapers to write in. I filled it with large, round writing; enormous speech marks; and classic lines of dialogue such as, “Hello, Queen Elizabeth the First, would you like a cup of tea?”

What are your typical writing habits?

All my planning is done longhand. I write out character lists, character portraits, and scene outlines with just enough information to get writing but with enough space for the story to grow on its own. I also draw maps of places and maps of connections between characters: this shows me instantly whether I’ve got enough material for a full novel or if I need to come up with another subplot. It helps to avoid the dreaded soggy bit at 30,000 words in. I do a lot of the planning in cafes as I like the buzz of people around me (and the cake). When it comes to writing, though, I use a laptop and sit up in bed to write with the radio on in the background. It’s terrible for my back but does mean I eat less cake.

What part of the writing process do you find most difficult?

The first three chapters are always a nightmare, mostly because I’m still feeling my way into the novel and don’t know the characters fully yet. Those chapters will be rewritten time and time again. Once I got 30,000 words into a novel, realised I’d got the wrong character as the murderer, and had to scrap the whole thing and start again.

How much research do you do?

Every novel requires some research, whether it’s on places, historical detail, or forensic procedures. Research is so absorbing it’s easy to get lost in it, so I discipline myself to do enough to feel confident to start writing and no more. During the writing process, if I realise I need to research something, I write it on the manuscript and come back to it once I’ve got a complete first draft.

Do you ever find your characters controlling their storylines?

Absolutely. The characters become incredibly real, not only when I’m writing but during ‘normal’ life, too! I often have a voice chuntering in my head as I walk round the supermarket or when I’m gardening. In recent years, in addition to hearing characters I’ve started to be physically touched by them, too. It sounds bonkers, but sometimes when I’m in the car I can feel my character’s knees poking into my back. I think I need to create characters who are a bit shorter.

Do you ever feel guilty about killing off characters?

It’s very hard to kill off some characters, but I think that’s necessary to the story. In crime, there has to be something at stake, an offence against society that we care about and want the sleuth to avenge or solve. If I don’t care who dies, if it doesn’t hurt me while I’m writing, then there’s no power in the set-up and nothing for the sleuth to put right.

Do you find it hard to know when to end a story?

All the time. I either stop too soon or drivel on for too long!

Which book do you wish you had written?

Red Joan by Jennie Rooney. It’s a crackingly good read. It’s the book I always recommend to friends when they say they don’t know what to read next.

Tell us something surprising about you!

I can sing ‘Three Blind Mice’ in the Aboriginal language of Pitjantjatjara.

 

Paternoster, the first book in the EDEN GREY MYSTERY SERIES is available to pre-order now.

GET PATERNOSTER HERE!

Sapere Books are proud to be sponsoring the Crime Writers’ Association’s Historical Dagger Award, which is for the best historical crime novel set in any period at least 50 years prior to the year in which the prize is presented. Read on to find out more about this year’s stunning shortlist!

Destroying Angel, S. G. MacLean, Quercus Fiction

Set in 1655, Destroying Angel follows Captain Damian Seeker, a trusted member of Oliver Cromwell’s guard who travels to the Yorkshire village of Faithly to enforce the government’s anti-Royalist laws. Upon arrival, Damian is invited to dinner at the home of Faithly’s Puritan commissioner, Matthew Pullan – a tension-filled gathering that ends with Pullan’s young ward, Gwendolen, being fatally poisoned. With suspicion and bitterness rife in the village, Damian must discover whether Gwendolen’s death was an accident or something more sinister. Atmospheric and full of compellingly unsavoury characters, Destroying Angel’s meticulous historical details and intricate narrative keep the reader absorbed throughout.

The Quaker, Liam McIlvanney, Harper Fiction

In the midst of a harsh Glasgow winter in 1969, DI Duncan McCormack is searching for a Bible-quoting murderer: the Quaker. The Quaker has already lured and killed three women after meeting them at a popular club – The Barrowland Ballroom – but so far attempts to capture him have been futile. When the body of a fourth woman is suddenly found, McCormack’s resolve stiffens as he plunges into a grim and intense pursuit of the truth. Based on the real-life story of serial killer ‘Bible John’, The Quaker is a darkly convincing portrayal of a city held captive by terror. The novel should also be commended for its effective use of multiple perspectives and skilful twists.

Smoke and Ashes, Abir Mukherjee, Harvill Secker

Smoke and Ashes follows Captain Sam Wyndham of the Calcutta police force – a secret opium addict who finds himself trapped in an illegal den during a police raid. As he makes his escape, he comes across a man who has been brutally murdered. And when he later finds a second corpse – apparently killed in the same ritualistic fashion – Sam begins to suspect that the two are linked. Fighting to keep his own vices in check, he teams up with Sergeant Banerjee to investigate the grisly deaths. Evocative and richly detailed, Smoke and Ashes should be praised for its powerful realisation of its setting – India in 1921 – and the strong narrative voice of the embittered, haunted protagonist.

The House on Half Moon Street, Alex Reeve, Raven Books

Leo Stanhope is a coroner’s assistant with a lifelong secret: he was born Charlotte – the daughter of a countryside reverend – but always knew that he was a man. Having run away to London at the age of fifteen, his dearest wish is to one day make a home with the woman he loves, Maria, and be free to live his truth without fear. But when Maria is murdered, Leo’s hopes are crushed and his freedom threatened. Heartbroken but determined, he vows to find her killer and becomes embroiled in the dark underbelly of the city. With its realistically gloomy Victorian ambience, well-paced plot and thoughtful characterisation, House on Half Moon Street is both gripping and tender.

Tombland, C. J. Sansom, Mantle

Two years after the death of Henry VIII, lawyer Matthew Shardlake is working for the old king’s daughter, Lady Elizabeth. When Edith Boleyn – the estranged wife of Elizabeth’s distant relation John Boleyn – is found murdered, Shardlake travels to Norwich to investigate. There, against the simmering backdrop of the peasants’ rebellion, Shardlake finds a dangerous, multi-layered plot waiting to be untangled. A sweeping, epic read, Tombland is to be admired for its lively evocation of Tudor England and effortlessly interwoven sense of mystery and unease.

Blood & Sugar, Laura Shepherd-Robinson, Mantle

In 1781, prospective parliamentarian Captain Harry Corsham returns from the war in the US to find a chilling puzzle awaiting him. A body has been found in Deptford, horrifically murdered and bearing a slaver’s mark. At the same time, Harry’s friend, Tad Archer, has gone missing. An abolitionist, Tad had been gathering shocking information in the hope of bringing an end to the British slaving industry. Determined to find out what happened to Tad, Harry follows the trail of secrets into a web of danger and conspiracy. A thrilling and powerful debut, Blood & Sugar is both an immersive mystery and an unflinching portrayal of the atrocities of the slave trade.

The winner will be announced on the 24th October at the Leonardo Royal Hotel London City. Tickets to the award ceremony are available here.

Patricia Caliskan is the author of two romantic comedies: Awful By Comparison and Girlfriend, Interrupted.

Hi Patricia! Welcome to the Sapere Books blog!

Can you tell us a bit about what first got you into writing?

I wrote stories from about the age of six. I collected stationery, pens and pencils, and spent hours at my miniature desk, making ‘books’ for the family. Beverley Cleary’s Ramona series was a huge inspiration to me as a little girl.

What does your typical ‘writer’s day’ look like?

A typical writing day looks like writing through the night. I’ve always been slightly nocturnal; that’s when I get most of my ideas and can be totally focused. I have a 4 a.m. cut-off and wake up completely zooped to read and edit the work. I have a few places I gravitate towards throughout the house. My latest project is basically happening in the kitchen, so there’s been a lot of snack breaks with this one.

I drink coffee on-tap and usually have a playlist on the go. No rituals as such, but candles signify ‘writing time’. That’s about as ceremonial as I get.

What part of the writing process do you find most difficult?

My challenge seems to be plotting from about three-quarters of the way through to the ending. It’s incredibly exciting to start a project, and I know how each story ends – until I begin writing. The characters and storylines naturally evolve, so my plotlines tend to evolve too. It’s a bit like using Sat Nav. I know my destination, but don’t always take the most straightforward route. 

Do you find it hard to know when to end a story?

Absolutely not! There’s nothing like typing ‘The End’ after I’m 100% satisfied I’ve tied up every strand of the story, and done the best work I can for the reader. It’s the best feeling.

How much research do you do?

There’s research involved in every book. Luckily, it’s one of the reasons I enjoy the process. The character of Lara in Awful by Comparison was based on reports ahead of the #metoo movement, and Gia Carangi in particular. The subject of step-parenting in Girlfriend, Interrupted was something I personally experienced, but I visited online forums to make the dynamic as relatable as possible. I’m currently learning about the psychological effects of being widowed, and floristry, so you could say it’s pretty varied.

How real do your characters become and do they ever seem to control their own storyline?

My characters absolutely dictate their fate. Their voices can become very different to how I initially heard them. Listening to certain nuances and spending time with them, they’re full of surprises. It’s kind of like developing a friendship, really. My understanding of them deepens over the course of the novel.

What are you working on at the moment?

I’m currently working on my third novel. It has an ever-changing title, but I can say with certainty that it’s set in the fictitious address of Arkin Avenue, and tells the stories of a great bunch of characters. I hope you’re going to love them.

Which book do you wish you had written?

As she’s fresh in my mind, The Private Lives of Pippa Lee. It was one of those books which made me happy, simply because the character existed. I thought it said a lot about the shifting roles we occupy throughout our lives.

Tell us something surprising about you!

Duran Duran have been my favourite band for nearly 35 years. If you take another look, you’ll find them mentioned in all of my books so far!

On Saturday we had our semi-annual author meet-up in London, where we had a chance to catch up with our wonderful writers over drinks and nibbles, as well as finding out what their next big projects are. Here is a taster of what’s to come:

Elizabeth Bailey has more dazzling Regency romances and murder mysteries in the pipeline with new Brides By Chance and Lady Fan novels coming our way.

Graham Brack has handed in the final instalment of his thrilling Josef Slonský Investigation series, and will be launching a new historical crime series next year.

We are currently working on Jane Cable’s second compelling romance novel, Winter Skies, and she is already drafting her third.

Michael Fowler’s gripping crime thriller series, the DS Hunter Kerr Investigations, is being launched this month.

Anthony Galvin is working on exciting new thrillers under the pen name of Dean Carson, which we will be publishing soon.

Charlie Garratt is drafting book three in his intriguing historical mystery series, the Inspector James Given Investigations.

The captivating fourth instalment of Valerie Holmes’ sweeping Regency adventure series, The Yorkshire Saga, will be coming out soon.

Two members of the Romantic Novelists’ Association, Natalie Kleinmann and Ros Rendle, have recently signed with us and will be bringing out brilliant new books next year.

A brand-new book in Simon Michael’s atmospheric historical crime series, the Charles Holborne Legal Thrillers, is going up on pre-order this month and he has an idea in mind for the next one.

We will soon be publishing book five in Linda Stratmann’s absorbing Victorian detective series, the Mina Scarletti Mysteries, and she has started work on book six.

Deborah Swift’s powerful new wartime romance, The Occupation, will be out by the end of this year.

Thank you to all of the authors who were able to attend, and we hope to see everyone again to celebrate our second anniversary in March!

 

 

Image credit: a big thank you to Gary Stratmann for his photographs.

Gaynor Torrance is the author of the DI JEMIMA HUXLEY THRILLERS series.

Like many other people, I’m a crime thriller junkie. I can honestly say that books in this genre are my guilty pleasure — as well as chocolate, of course. As far as I’m concerned, it has to be well-written and absolutely has to have a complex plot. I need an abundance of twists and turns, along with a large helping of red herrings. If it keeps me guessing, it will offer me everything I expect from a good book.

I want the story to grab me and not let go. Whenever this happens, my own identity quickly fades into the background, and I become the protagonist. Gender is unimportant to me. I don’t care whether the protagonist is male or female. The only thing that matters is that I inhabit a world I would shun in real life. Fictional characters are instantly relying on me, and I’m desperately trying to save lives whilst I figure out what’s going on. 

From the safety of a comfy armchair, these books have transported me to places I’ll never visit. They’ve presented me with opportunities to solve mysteries. Allowed me to get up close and personal with some of the most evil and twisted minds you could ever imagine. Over the years, I’ve brought justice to victims, been caught up in life-threatening situations and sometimes even had a hand in saving the world from imminent disaster.

Immersing oneself in these fictional scenarios is my ultimate form of escapism. It’s a white-knuckle ride minus the personal risk.

Having so many ideas of my own, I decided to take things a step further. And so I began writing about Detective Inspector Jemima Huxley, whose stories are set in Cardiff, a city I know well.

I love Jemima, but that’s because I know what makes her tick. I appreciate that on first appearance, she’s perhaps not the most likeable of characters. In Revenge, which is when readers are introduced to her, she comes across a bit like Marmite. She’s not a typical lead detective, and this will polarise opinion, as you’ll either love her or hate her.

When I created Jemima, I wanted her to have an interesting backstory. Over the years, I’ve read so many crime novels that have a hard-nosed lead detective heavily dependent on alcohol. Or whose personal relationships are in tatters because of the pressures of the job.

DI Jemima Huxley is different. She’s a modern woman who gets stuck in and excels at her job. Jemima is determined to have it all. At work, she’s a capable, dedicated detective: loyal, brave and intelligent. If only she had more control over other aspects of her life…

If you’ve read Revenge, you’ll already know that Jemima has some serious personal issues. She’s hiding things from everybody. Her mental health is suffering, and she’s in danger of falling down a rather large rabbit hole.

Most importantly, Jemima hasn’t yet figured out what’s at the root of her problems. I have a feeling that that epiphany is a long way off, and until it happens, there’s little chance she’ll begin to turn things around.

Jemima’s personal torment manifests itself in a way that is guaranteed to upset some readers. And I’ll let you in on a secret — I’ve shed tears as I’m writing those scenes. What Jemima does to her body is shocking, brutal and heartbreaking. But her method of keeping a lid on things is a reality for some people.

It’s a sad fact that mental health issues are still stigmatised. And, like many others, Jemima feels compelled to hide her suffering for fear of being judged.

But Jemima isn’t the sort of person to give up easily. She has her low moments but always seems to manage to pull herself together and face whatever life throws at her. Any serial killers stalking the streets of Cardiff had better watch out, because Jemima’s returning soon to investigate her next big case, Sole Survivor!

Click here to order REVENGE now!

Hi Gillian! Welcome to the Sapere Books blog!

The first two books you have published with us have similar themes of children going missing and families struggling to find them. What initially drew you to those sorts of stories?

I set out to write a compelling story (and what is more compelling than the abduction of a child?) that could be seen from several different perspectives. Those of us who are parents can imagine the horror of a missing child, and I was able to draw on my experience of a time when my own two-year-old daughter went missing from our garden. She was only out of my sight for a few moments and fortunately was found within forty minutes, but the gamut of emotions my husband and I experienced was terrifying. The fear, guilt and despair almost crippled us. I was able to project some of these emotions onto the parents in Abduction and Snatched, who had to wait more than an hour to find out what had happened to their missing children.

We will soon be publishing a third thriller by you – THE ACCIDENT. Can you give us a little teaser of what it’s about?

This is a book I consider to be my ‘ripples in a pond’ novel. It begins, as the title suggests, with an accident and follows the consequences for those involved. As the story unfolds, jealousy comes into play with a shocking outcome; a life changing injury is faced, and the very best possible outcome is derived from the very worst scenario. If that isn’t enough, there’s a smattering of romance too!

Have you always wanted to be a writer? What first got you into writing?

It wasn’t until my early fifties that I began writing seriously, although I’ve dabbled in children’s stories and short stories for most of my adult life. Initially, writing was for me a therapeutic experience, as I kept a journal while recovering from a rather difficult period in my life. The first book I ever wrote was a small self-help book, my only foray into nonfiction so far.

What part of the writing process do you find the most challenging?

Probably the ending, as I sometimes get too bogged down in tying up all the loose ends until I’m satisfied that the story is properly wrapped up. Perhaps this is because when I read a book, I find an incomplete ending so frustrating!

Where and how do you write? Do you have set hours or do you write when you feel motivated? And do you have a favourite writing spot?

Being easily distracted, I’m fortunate to have a designated study to lock myself away to write. I try to write most days but often find my mind most active late at night when all these fictional characters keep me awake with their conversations, and I need to write, or at least make notes. As a work in progress develops, the time I spend on it increases as my enthusiasm grows.

Do you like to read the same types of books you write? Or something completely different? Can you tell us some of your favourite books?

I read quite widely, from thrillers to sagas. I love all of Kate Morton’s books as well as Victoria Hislop’s, particularly The Island. Some of my all-time favourite books are Jane Austen’s novels and the works of the Brontë sisters; I love the sense of atmosphere that leaps off every page, and Austen’s wit is amazing and so timeless!

What three tips would you give to aspiring writers?

You can’t do enough editing and polishing. The temptation when you write those satisfying words ‘the end’ is to get your book out into the world. Don’t – leave it for a couple of weeks and go back to read it again with fresh eyes; you’ll be surprised. Also, write what you know, and enjoy the journey.

Tell us something surprising about yourself!

I used to walk my rather large pet goat, Hobnob, around the streets on a lead. We were discovered and interviewed for BBC TV, but I had to do most of the talking.

 

Gillian Jackson is the author of psychological and domestic thrillers.

Click here to order ABDUCTION.

Click here to order SNATCHED.

Michael Fowler is the author of the DS HUNTER KERR INVESTIGATIONS series.

 In 2010, after 32 years as a cop, and an even longer time as a passionate writer and lover of crime fiction, Heart of The Demon — the first in the DS Hunter Kerr series — materialised as the book I always told myself I could write.

It is inspired by a true crime event. As a Detective Sergeant, I was following up information in relation to a girl who had been missing for a number of years, and much of her previous history was recorded on her original missing report that had been filed away and stored in the basement at Barnsley Police station.

Whilst seeking it out, I came across a large cardboard box, which, upon rooting through, I found it contained the court file and crime scene photos for a man called Peter Pickering, who was dubbed ‘The Beast of Wombwell,’ and I couldn’t resist rummaging through the contents to get an insight into his crimes.

Peter Pickering was first convicted of attacking two schoolgirls in 1966 and was jailed for six years.

In 1972, five months after his release, he abducted 14-year-old schoolgirl Shirley Ann Brody in his home town of Wombwell, near Barnsley, drove her to secluded woodland, where he raped her and stabbed her while wearing yellow washing-up gloves — a detail that gave rise to his other tabloid nickname, the “maniac in the marigolds”.

Following that murder he was locked up in a psychiatric hospital, but it was always believed he had committed more attacks and murders, and he was interviewed by detectives on numerous occasions over several decades. The focus of those interviews were the murders of 14-year-old Anne Dunwell, from Rotherham, in 1964, and 14-year-old Elsie Frost, from Bradford, in 1965.

He refused to cooperate. However, following another investigation, detectives found evidence linking him to the rape of a Sheffield woman, committed just weeks before he abducted and murdered Shirley Ann Brody, and last year, at the age of 80, he was convicted of that rape.

Early this year Pickering died, taking his secrets to the grave. The finding of the Peter Pickering case file in Barnsley Police Station basement became a light-bulb moment for me as a writer, and has not only provided some of the background for Heart of the Demon, but has also inspired another of my Hunter Kerr novels, Shadow of The Beast.

 

Michael Fowler is the author of the DS HUNTER KERR INVESTIGATIONS series.

Click here to order HEART OF THE DEMON now!

On Tuesday we attended the annual autumn Independent Publishers’ Guild conference, which is a great chance for us to find out more about the latest developments in the industry, get some ideas and inspiration for our own practices, and catch up with old friends. Here are our highlights from the day!

The conference opened with a keynote speech from serial entrepreneur Sam Conniff Allende, the author of self-help book Be More Pirate. He shared his thoughts on the importance of rule-breaking: challenging systems and taking risks to effect positive change and drive success. Sam also compared Golden Age pirates with modern entrepreneurs – in terms of their powerful branding and shrewd tactics!

A talk on the importance of fresh branding and operations was led by Stephen Page of Faber and Faber, Nicola Usborne of Usborne Publishing, and Chris Bennett of Cambridge University Press. Each showed how developing modern-looking visual marketing campaigns, analysing previous successes and failures, and maximising the potential of their backlists keep their businesses moving forward.

A trio of trade and children’s retailers – Peter Saxton of Waterstones, Phil Henderson of Blackwell’s and Tamara Macfarlane of Tales on Moon Lane – brought us up to date on the latest trends in bookselling. A particularly welcome development is a surge in the popularity of books celebrating women in non-gender-stereotypical roles and inspirational stories for young girls.

Jeremy Yates-Round of Haynes Publishing showed how he keeps his business agile in a tough climate. Techniques included humorous and imaginative marketing campaigns, both licensing and being licensed by external brands, and offering customers different platforms to access content (e.g. via online apps).

Josie Dobrin of Creative Access and Rik Ubhi of Zed Books led an important discussion on how publishers can attract, welcome and maintain a diverse workforce. Practical tips for recruiters included undertaking unconscious bias training, checking recruitment data to see at what point in the selection process BAME candidates are excluded (and working to fix the filtering systems so that this happens less frequently), avoiding the ‘quick hire’, removing unnecessarily high barriers for entry-level jobs, and making existing BAME hires feel safe, listened to and valued.

Clare Farrell, the co-founder of Extinction Rebellion (XR) – a climate change mitigation movement – gave a rousing speech on the realities of the climate emergency and the ways in which XR is putting pressure on governments to instigate action on a wider scale. She also explained how the publishing sector can take its own stand via actions as simple as using recycled paper for all books.

The conference wrapped up with a surprise singing lesson from author and musician James Sills – good fun for all!

On Saturday, Amy and I travelled to York to celebrate the winner of the RNA’s Joan Hessayon Award.

The Joan Hessayon Award is for a debut author who has had their book accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme.

This year’s shortlist of fifteen included sweeping wartime romances, uplifting stories of self-discovery, and intriguing mysteries.

Our editorial director, Amy Durant, judged the shortlist alongside RNA Chair Alison May, Vice Chair Imogen Howson, and Simon & Schuster’s Sara-Jade Virtue.

This year’s winner is The Forgotten Village by Lorna Cook: a story of hope, new beginnings and unlooked-for love. Cook’s debut novel intertwines two love stories: one set in 2018, and one set in 1943.

In the present, twenty-eight-year-old Melissa is stuck on a lacklustre holiday in Dorset, with a boyfriend who seems more interested in surfing than working on their stale relationship. On a whim, she visits the nearby village of Tyneham, which was evacuated and closed during WW2 but is now open to the public. There she runs into Guy, a charming celebrity historian. Intrigued by a seventy-five-year-old photograph of Veronica Standish — the long-suffering wife of Tyneham’s tyrannical nobleman — Melissa enlists Guy’s help to find out more about her. They soon find themselves untangling a decades-old mystery to discover the fate of Veronica, her husband, and her secret lover.

As well as skilfully navigating and developing two romantic plots, Cook should be praised for her deft interweaving of historical detail, her strong sense of voice and character, and her sensitive handling of one of the book’s more difficult themes: domestic abuse.

We would like to send a huge congratulations to Lorna — and to all of the authors who participated, and managed to overcome the huge hurdle of getting a publishing deal!

As well as indulging in a wonderful Afternoon Tea before the ceremony, we also had the chance to catch up with two of our authors: Ros Rendle and Natalie Kleinman, both of whom have fabulous romantic fiction forthcoming with Sapere Books.

Ros’ Strong Sisters series will explore family relationships, rivalries, and love. Natalie’s Regency romances will feature spirited heroines, determined to succeed against the odds.

 

Image credits:

The Forgotten Village by Lorna Cook, published by Avon in 2019.

Featured image: Photo by Brigitte Tohm on Unsplash.

Hi Elizabeth! Welcome to the Sapere Books blog!

 Elizabeth Bailey is the author of THE LADY FAN MYSTERY SERIES – romantic Regency crime novels, and THE BRIDES BY CHANCE REGENCY ADVENTURE SERIES.

 Can you tell us a little a bit about what first got you interested in writing?

I can’t think of a time I didn’t write. I dabbled for most of my young and adult life, but I was in my thirties when I became a member of a co-operative writing group with the idea of sending out each other’s work. I wrote several short stories and then decided to write a historical romance, a genre I had been reading from a child beginning with the novels of Georgette Heyer. That book, though it never saw the light of day, was the turning point. I loved writing it and felt I had at last found my true metier. I’ve been writing fiction ever since.

Do you have set writing times?

Mostly I write my first draft early morning in bed after I’ve had my tea. If I can get between 500 to 1500 words written, I feel I’m making progress. I try to get it all down without research, leaving notes to myself within the text where I need more data. The murder or where it happens, I will usually check out before I start, unless I add something new and have to go and find out about it before I can get on. I can’t start at all until I have names of the main characters and a general idea of what is likely to happen in the first couple of chapters. I actually don’t usually know who the murderer is when I begin. Nothing like making life interesting for yourself!

Seeing as you write historical fiction, do you find you have to do a lot of research?

These days with many years of historicals of the same period behind me I am so familiar with the time that my research is mostly for specifics. I have many books collected over the years which furnish me with the detail I need. My main focus of research is in the area of the murder and the internet is a mine of information on the subject. You can find contemporary sources relating to anatomical matters, which means I can be as accurate as possible according to knowledge of the era. However, I do turn to current material for exact descriptions of what happens, for example, when someone is bludgeoned, knifed or otherwise injured. All of which is fascinating to read about.

What part of the writing process do you find most difficult?

Struggling through against the odds when life intervenes. This happens and you just have to deal with it. It’s virtually impossible in this day and age to shut yourself away in an ivory tower to get your first draft done. I wrote a short book in a week once on a holiday. Another time I forced through 5000 words a day to get a novel done. But it’s not optimum. It doesn’t allow time for the filtering process that builds the minutiae of the story and generates ideas you hadn’t thought of until some trigger sets them off. Working steadily every day seems to build a book better, but it does mean you are subject to interruptions and getting back into it after a break is the hardest thing of all.

Do you find your characters start to control their own storylines?

Yes, they become totally real, and some characters are completely independent and go off in unexpected directions. The thing is, you invest them with life and then they become real people (albeit in a sort of ghost form in your head). They start behaving according to their character and you might have no idea of who they really are until they do this. Ottilia is a case in point. She was supposed to be a retiring female, letting Francis take the lead. Not a bit of it. She marched into centre stage the minute I set her on the page and stayed there. In the book I’m currently writing, I had a peripheral character take off in much the same way and seize quite a chunk of the story from Ottilia. Experience has taught me to run with it. I have a great belief in the Inner Writer knowing a great deal more than I do about the developing story. It really is like being two people sometimes.

Do you ever feel guilty about killing off characters in your crime series?

Apart from the initial dead body, I hesitate. The first death is the spur for the story, so that’s all right. We usually don’t know that person. But it’s very hard to kill off someone who has become a character in their own right. But that’s good, I think. It transfers to my heroine, who is allowed to have an emotional reaction to such a death.

Do you find it hard to know when to end a story?

Usually the story comes to a natural conclusion. Then it’s just a matter of tying up loose ends and giving my lead characters a chance to mull and make decisions of their own. I like to keep the denouement fairly short. When the story is finished, that’s it. And there’s a maxim – always leave the reader wanting more. If you ice the cake too richly, they might be too satisfied to want another slice.

Which book by another author do you wish you had written?

Oh, that’s a tough one. For sheer quality perhaps, another long-time favourite, In This House of Brede by Rumer Godden. So subtle, engaging, insightful and just beautifully written. But then I would love to write like PG Wodehouse whose Jeeves and Bertie books I adore. I’ve had a go in a play I wrote for school when I was teaching drama, and I have a short story out in a similar style (To Catch a Thief). Or Terry Pratchett with such a discerning eye for the human condition.

Tell us something surprising about you!

When I was a teenager, I won two cups for target shooting with a 303 rifle. Now I couldn’t hit a haystack!

We (Amy and Natalie) will be at the 2019 Joan Hessayon Award Presentation, run by the Romantic Novelists’ Association.

The award is for a debut author who has had their book accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme.

This year our editorial director, Amy Durant, served as a judge.

The ceremony takes place on 14th September, and you can find out more here.

  

Laxton Village is believed to be the last remaining example in Europe where the Open Field System and Court Leet have been preserved. It boasts a unique 1,845 acre heritage estate — including 525 acres of unenclosed open fields — produces in excess of £230,000 per annum, and is of significant educational and curatorial interest. The village is now on sale for £7m.

THE ESTATE

The Laxton Estate is situated in and around the picturesque village of Laxton, surrounded by rolling countryside. The village is linear and unusual in appearance, comprising 17 traditional red brick farmsteads in addition to a village pub and visitor centre. The majority of the estate is farmed under Agricultural Holdings Act (AHA) and Farm Business Tenancy (FBT) agreements. Each farm tenant benefits from a home farmstead and land let under AHA and/or FBT and a right to farm land within the open field system as administrated by Laxton Court Leet, an ancient manorial Court with legal status as a court of Law.

You can find out more about the history of Laxton from the Wars of the Magna Carta series. The first instalment, The Battle For England, features Laxton Castle, domain of the brave heroine Matilda.

 

Image credit:

Castle mound at Laxton, Nottinghamshire. Source: Wikipedia, contributed by Robert Goulden. Used under Creative Commons CC BY-SA 2.0 licence.

As a writer of historical fiction, I’m obsessed with old letters which form my link to the past. Do you have a favourite historical letter? Here’s mine. One of the most chilling letters from history, and the saddest, is the letter from Mary Queen of Scots to her sister Elizabeth I when she heard she had ordered her to be executed.

Mary’s letter contains a plea for her remains to be taken back to France after her death, as well as a warning that would haunt Elizabeth for the rest of her life:

I will not accuse any person, but sincerely pardon every one, as I desire others, and, above all, God, to pardon me. And since I know that your heart, more than that of any other, ought to be touched by the honour or dishonour of your own blood, and of a Queen, the daughter of a king, I require you, Madam, for the sake of Jesus, that after my enemies have satisfied their black thirst for my innocent blood, you will permit my poor disconsolate servants to remove my corpse, that it may be buried in holy ground, with my ancestors in France, especially the late Queen my mother, since in Scotland the remains of the Kings my predecessors have been outraged, and the churches torn down and profaned…

…Accuse me not of presumption if, leaving this world and preparing myself for a better, I remind you will one day to give account of your charge, in like manner as those who preceded you in it, and that my blood and the misery of my country will be remembered, wherefore from the earliest dawn of your comprehension we ought to dispose our minds to make things temporal yield to those of eternity.

Your sister and cousin wrongfully a prisoner,

Marie R

I can only imagine the guilt that Elizabeth must have felt upon receipt of this, and her fear that she would never be forgiven for the blood on her hands.

Letters were massively important during wartime, and especially for Prisoners of War. In WW2, Rhoda and Peter — the two main characters in my book Past Encounters — rely on their letters to each other to form a lifeline. But for people separated by the conflict, the long-awaited letter can often get lost in the wartime confusion, making such links precarious and precious.

With so much of our communication virtual these days, it is sad that so few letters might be preserved to give future historians insight into the minds and hearts of the past. When researching Past Encounters, I relied on letters and memoirs to fill in Peter’s story of his POW years, and to conjure up his worst journey: the Death March through Poland and Germany at the end of the war. There is an excellent film about the untold story of the gruelling Long March to Freedom featured in Past Encounters here.

As well as the fate of Allied POWs, Past Encounters also features the wartime filming of the classic British romantic blockbuster Brief Encounter directed by Sir David Lean CBE, who was responsible for large-scale epics such as The Bridge Over the River Kwai, Lawrence of Arabia and Doctor Zhivago. Celia Johnson’s letters home from the filming provided a brilliant insight into night-time on a freezing railway station in January and February 1945:

‘people are most awfully nice and even the station master, a large man in stern bowler hat, renowned for his grumpiness, raises his stern hat unceasingly to me, and I am continually being besought to sit by the fire in his office.’

Which letters have moved you?

When did you first start writing? Did a specific event encourage you to start?

When I was six years old, I saw a TV programme about the Blitz, which as you can imagine was pretty alarming. I wrote a poem about it.

How much research do you do?

I am fascinated with the Victorian era and do a lot of research to try and get the details right. I read contemporary newspapers and journal articles, biographies and medical works. I study maps, census returns, directories, legislation, photographs, and art. I have about a hundred books just on the history of spiritualism.

Tell us about where you write / your writing habits.

I work from home and have a room which is my office. I don’t work set hours; even when I am doing the household chores, my mind is still working on my latest project or planning a new one.

What part of the writing process do you find most difficult? Starting, knowing when you’ve done enough research, the ending?

When I begin a project, I know where I am starting from and where I will end up, but I have to link the two in a way that makes sense. Every time I pause in order to find that natural link, I have to remind myself that I found it last time. It’s worked so far.

How real do your characters become and do they ever seem to control their own storyline?

They feel very real to me, and because I let themes develop naturally in my mind often the characters do things that I hadn’t necessarily planned but emerge from their personalities and situations, so sometimes they do take me by surprise.

Do you ever feel guilty about killing off characters or do you relish it?

Neither, but it is sometimes sad. It’s very hard writing about a character who I know is about to become a murder victim.

Do you find it hard to know when to end a story?

No, I know when it feels right to me.

What are you working on?

I am editing a new volume in the Notable British Trials series about the trial of the Mannings in 1849. I am also developing the plot for the fifth Mina Scarletti book, to be entitled His Father’s Ghost.

What are you reading right now?

Munich by Robert Harris.

What is your favourite book? Who is your favourite character?

I have read thousands of books and it is impossible to pick one!

What book do you wish you had written?

See above.

Do you love any genres/books that are very different from what you write?

Most of my reading is non-fiction: history, biography, true crime, psychology. In crime fiction, I tend to read books with modern settings or if historical, a very different time period from the one I write about.

 Tell us something surprising about you!

I prefer pickles to sweets!