We recently had a digital meet-up with some of our authors to catch up on current projects and find out how lockdown has impacted their writing. Read on to find out more about their creative news and practices:
Elizabeth Bailey has published six Lady Fan Mysteries, four Brides By Chance Regency Adventures, and two more historical romances. She is working on her seventh Lady Fan book. Elizabeth has also been taking daily walks, giving digital readings, and maintaining her weekly newsletter, which is filled with writing updates and giveaways.
Graham Brack has published six Josef Slonský Investigations and two Master Mercurius Mysteries. He is working on the next books in both series. Graham finds that working on two series simultaneously helps prevent him developing writers’ block with either one.
Jane Cable has published one contemporary romantic saga drawing on World War II, and her second – Endless Skies – is forthcoming. Jane has been developing a new website, editing Endless Skies, and working on a new contemporary romance novel.
Tim Chant has a Russian-Japanese naval novel forthcoming and has started the next one. He is also writing and self-publishing science-fiction and steampunk novellas.
Michael Fowler has published five DS Hunter Kerr Investigations. He is currently working on a new series, developing a character who is a forensic psychologist. As part of this, Michael is researching various forensic technologies and has spoken to an expert in the field.
Justin Fox has two nautical novels forthcoming with Sapere Books. These are also being published in South Africa by Penguin Random House and are currently being edited.
Anthony Galvin (who also writes as Dean Carson) is the author of historical non-fiction book Death and Destruction on the Thames in London. He is working on a series of thrillers. As a mature student, Anthony has also been finishing up assignments and exams.
Sean Gibbons’ gritty crime series – following taxi driver Ben Miller – will be published in 2021. He is currently writing the fourth book in the series and has just finished a World War II espionage thriller.
Gillian Jackson has published three psychological thrillers. She is now editing old and self-published work, finding ways to re-purpose old characters. Gillian is particularly interested in developing more contemporary women’s fiction with a psychological element.
Natalie Kleinman has four Regency romances signed up and has written two more. She has recently made a start on a new romantic novel.
Simon Michael has published five Charles Holborne Legal Thrillers, and he has a sixth one lined up. Aside from writing, he has recently been busy with building work.
Ros Rendle has six romance novels forthcoming with Sapere Books, including her Strong Sisters trilogy. Ros has recently finished a new novel, and she has found her Chapter writing group (regional groups of romance writers affiliated with the Romantic Novelists Association) a great source of support.
Linda Stratmann has published five Mina Scarletti Mysteries and is writing the sixth. To help with this, she has been researching Victorian spirit photography using Archive.org. Linda has also been gardening, cooking, baking, and holding digital meetings with the Crime Writers’ Association, of which she is the chair.
Deborah Swift has published two romantic World War II sagas and is working on the third, which will be set in Shetland and Norway. She has been researching nautical terminology and walking a lot, which she finds is a great time to think about plot.
Alexandra Walsh has published three timeshift conspiracy thrillers; the last one, The Arbella Stuart Conspiracy, came out in May. She is now writing a Victorian dual-timeline novel and is planning to start a newsletter.
Linda Stratmann is the author of the MINA SCARLETTI INVESTIGATIONS, a traditional British detective series set in Victorian Brighton.
More than a year ago, I determined to write a book in which Mina Scarletti, disabled by the scoliosis that twists her spine and cramps her lungs, is taken ill and solves a mystery while confined to bed. It is not a new concept. In The Wench is Dead, Inspector Morse solves a Victorian murder while in hospital, and in Josephine Tey’s The Daughter of Time, Inspector Alan Grant, hospitalised with a broken leg, explores the fate of the Princes in the Tower.
But these are historical puzzles, and therefore considered suitable to engage the mind of a bored invalid. In His Father’s Ghost, Mina has additional challenges. She is intrigued by a current conundrum, the disappearance of a local man while out sailing, declared legally dead, but his actual fate unknown. Her doctor, however, has advised her against any activity that might tax her delicate health, and that includes solving mysteries. She has to use all her ingenuity to gather the information she needs. In doing so, she finds that she has uncovered evidence of past crimes and scandals. Her enquiries are a catalyst that set off a train of events that ultimately have dramatic and life-changing consequences for several prominent citizens of Brighton.
One of the themes which I explore in this book is hallucination. Mina, when stricken by a fever, sees and hears things that reveal what is troubling her. The son of the vanished man, disturbed by significant events, has terrifying visions in those dark hours that lie between sleeping and waking.
I really enjoyed my research for this book. I visited the fascinating Police Cells Museum of Brighton, and read about the curious spiritoscope, an apparatus designed to prove that it was spirits and not the medium who cause the movement of the divination table.
It was my real pleasure to include two characters who have appeared in previous books, the flamboyant actor Marcus Merridew, fresh from his acclaimed season as Hamlet, and the creepy young photographer Mr Beckler.
While editing the manuscript, which was completed at the end of 2019, I was struck by how Mina’s plight echoes our current time. She is ill with a lung infection, and effectively on lockdown. But when she scents a puzzle, it gives her strength. She needs not only warmth and air and nourishment, but material to keep her busy mind alive.
