In this behind-the-scenes blog series, Sapere Books authors offer an intriguing insight into how, where and why they write.
Today, we are delighted to spotlight Graham Ley, author of the Wentworth Family Regency Saga Series.
Brittany, really, has been my place for my writing. There lies inspiration and the prompt to be historical, implicit in the ancient stone and timber that surrounds you, and the glimpses from the road of almost hidden farmhouses and squat barns of sturdy beauty — sometimes deserted but strangely still standing. And that region across the Channel has an uncanny relationship with Devon and its history, embedded in its own cob-and-timber beauties, and those oddly contrasting stone manor houses.
How better to link the two regions than with the story of a family that was both Devonian and Breton, in the mid-1790s when the buildings were still full of life and yet conflict was raging? It was bound to be the case that at some point I would catch, in passing, the misty outline of the Breton manor that would lie at the heart of the story — a home that had been emptied by the Revolution in France, but which would be gradually restored in quite unpredictable ways. That manor came into being in partnership with another that would be in Devon, both of great antiquity but which had, in different ways, been brought up to date. Two homes that might contain threat as well as comforting familiarity, both put together from what I had seen across the two regions.
Manoir du Val au Houx, Brittany
In the saga, Chittesleigh in Devon and Kergohan in Brittany are manors with orchards and gardens. Both sit in the heart of farmland and woodland, with its capacity to conceal, protect and yet also harbour danger. It was only when I was finishing the fourth and final book of the saga that I stumbled on a truly striking vision of Kergohan, nestling in a valley only a mile or so from where I was staying. Its medieval aspect is pictured here, but it also has a shorter, eighteenth-century façade with a portico. So it seems that you can only sum up when you have finished. In the meantime, a building takes shape from the inspiration and the uncertain lives of its characters: they fill it with aspirations, fears and suspicions, which only their love for each other may come to quieten.
